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As always, to end this review, let’s take a look at some excerpts from this book that will make you see that history wasn’t always as sexy as it’s sometimes portrayed to be.

”The cobblestones are soaked with refuse: kitchen garbage, dung from the horses and dogs and most putrid of all, waste from the latrines that has been thrown out the windows.

- she cares a great deal about Jewish mythological figures such as "queen Esther", "Queen of Sheba", or "King Solomon", when again why would an Egyptian princess know, or care, about the mythology of a people who had pelo importance in her eyes?

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When we refer to the eighth month as ‘August’, we are celebrating the defeat and death of Cleopatra

He was not master of his own faculties, but, as if he were under the influence of certain drugs or of magic rites, was ever looking eagerly towards her, and thinking more of his speedy return than of conquering the enemy.

I usually like Kristiana Gregory's work, but this one felt like more info either a very early work, or a very rushed effort, or both.

Cleopatra (Kleopatra) VII is arguably the most famous woman from classical antiquity, and one of the most familiar personalities in human history. She is best known through the extensive art and literature that was generated after her death. The information from Greek and Roman sources about Cleopatra herself is surprisingly sparse and generally misinterpreted. She is familiar today largely through her representation by Shakespeare and in modern film, as a seductress who ruined the men in her life and destroyed her kingdom, an erroneous depiction that is in large part the result of extremely eloquent opponents and male-dominated historiography. More accurately, she was a capable administrator and military commander, a linguist who knew a dozen languages, and a published scholarly author. Yet she was also the last ruler of her kingdom, and her defeat by the Romans led to the destruction of her reputation. She ruled for twenty-one years, from 51 to 30 BCE, and skillfully attempted to salvage her dying kingdom in the face of growing Roman power and involvement in the affairs of the eastern Mediterranean. Best remembered for her liaisons with Julius Caesar, and Marcus Antonius (Mark Antony), she in fact carefully chose her partners in order to produce heirs who could carry on the kingdom.

Dio wrote over two hundred years after her death, and was not always sensitive to nuances of her career or era, but his is the only existing continuous narrative of the period.

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Ptolemy XII’s return to the throne had cost Cleopatra’s elder sister, Berenice – who had seized power in his absence – her life.

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